visual album
I committed myself to completing a project within a deadline: "Beyoncé + Visual Albums pt. I"
I still daydream about returning to school, still wavering between academia and laying down self discipline. Waiting for more to come.
I use the abandoned gallery for personal projects, breathing in the large space and loving the polished concrete floors. Hungry for the state of mind that will allow me to focus on my thesis and ignore the rest.
More free time has me leaving skeptical of how to use it. I've spent the last year focusing so hard on job-work and not self-work that the transition confuses me. More or less, the same scenery is welcome and expected.
I've reaffirmed my current projects, all under the heading of "nesting." They move out of focus as my attention wanes and I find interest in the next sketch. I reinvented the basket reed-and-crochet project, seeing it with wire and in a similar size as the small acetate sculptures (my next big interest). I picked up one of the drawings I made last July when we first moved west, cutting into the image. The most liberating. I am finally hungry to do more in studio, lending it more time and energy.
Similarly, I have also revisited the Beyoncé + visual album topic and how it relates to the cinematic realism ideology. I am beginning a new blog post on NDF for the first time since the end of 2015, and it feels right. I can see myself taking real and concrete steps toward furthering my studio work since graduation, not just wishing a schedule into place. I am setting up old habits that have waited so long to be in use again.